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Others visited the city's gardens to paint—or to meditate on the water-lilies, ponds, and rocks in preparation for painting. In Chinese art, it was very important to capture the true essence (the qi) of the landscape or animals the artist painted. The best artists spent time contemplating nature. They meditated on the essence of the mountain or the cat until they felt complete understanding of that mountain or that cat. When the qi of the artist and the qi of the animal, plant, or mountain became one, then the painting could begin.
Traditional landscape painting was called shanshui (meaning "mountains and water"). By placing both mountains and water in their paintings, artists showed harmony and balance. Mountains represented the strength and force of yang. Water represented the serenity of yin. Landscapes were detailed and realistic, made with simple brushstrokes, and painted on long, hanging scrolls. If people were placed in the landscapes, they were very tiny figures. This reflected the belief that humans are only a small part of nature.
People of all kinds thronged the streets. Wealthy women dressed in silks, their hair pinned up with ivory combs, were followed by servants carrying their purchases. Beggars cried
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